The gamma in the key of F major is included in the clef of the same name and contains all the notes that it includes. Knowing all the positions of this scale will allow you to freely improvise within it, as well as compose interesting melodies and think over compositions. Also, if you want to know everything about the guitar, then you just need to learn scales and positions. This article is dedicated to just that.
Gamma in F Major – Theory in Simple Words
The main chord that is present in the tonal key of F major is F. It is its components that are constant steps in this scale. These are the notes of F, A, and Do. Everything else is an unstable pitch, used in addition to accompaniment and chord expansion.
How to Build a Scale in F Major
The gamma in F major is built in the same way as each major key – tone-tone-semitone-tone-tone-tone-semitone. Therefore, the notes inside it will be F G A Bb C D E.
The parallel key, or parallel scale for F major, is in D minor. The notes inside it will be exactly the same as in the scale above, but they will be in a slightly different sequence.
Fingering Scale in F Major
As we mentioned above, the entire fingering consists of a sequence of notes that make up the box. You also need to place your fingers correctly.
Of course, always remember about the metronome. You can purchase electronic or use a desktop one, it doesn’t matter at all. Also, use all your fingers while playing. This will help you practice hand coordination, and you’ll also learn the classic solo fingering that is especially helpful when playing legato guitar.
Technique Exercises within the F Major Scale
They largely repeat the structure of other exercises for other scales, but they start with different scales. Use them for guitar practice.
It is built from the first fret and uses the last four strings. Move down the strings, repeating the same pattern, and be sure to follow your finger fingering, as this is very important for developing coordination.
The 2nd exercise is like a continuation of the 1st. It starts at the third fret. Do them in succession, driving the pattern to the beginning, to the end, and then back. And be sure to do it under the metronome.
The third task differs in that all strings are used here at once. You need to move from top to bottom, and then back. In order to secure the movement of your hand, not only down the strings. Subsequently, this will greatly help you in composing high-speed parts, as well as playing with a sweep.
This is a very interesting task. Where you have to play the intervals that are located across the string from each other. This will require more coordination and you will likely need to slow down. However, this will work out your picking technique and make it clearer and sharper.